Listen to this hot track called “You Already Know” by Diezie Sahn, an up and coming Atlanta-based Liberian Hip Hop Artist.
To learn more about him, go here.
The Peppered Moth Kingdom: A Tale About A Land So Polluted By The Soot of Corruption, It’s People Are Perishing In A Genocide Of Poverty
By Moco McCaulay
The images of desperate African migrants laden to the brim of rickety boats streaming across the Mediterranean Sea to reach the shores of Europe, coupled with pictures of the iridescent blue sea blotted with the lifeless black bodies of those unfortunate ones who end up drowning on this benighted journey to ‘greener pastures’ is such a common news fodder that it stirs nary more than a tingling of our emotions, if at all.
But, watching the news a little over a month ago, I was horror-stricken as the bodies of hundreds of Africans migrants were pulled from the sea off the Italian island of Lampedusa. Over 300 Africans had been swallowed up by the ravenous sea and their nameless bodies were collected in body bags to be buried in unmarked graves.
The media described most of these Africans willing to pay the ultimate sacrifice to reach the shores of Europe as ‘economic refugees’ because they were not fleeing war but rather seeking to escape poverty in their own lands.
But, are we really to believe that these people are sacrificing their lives just to escape ‘poverty’? Is it really that simple? If so, then how come other poor people around the world are not engaged in such a mass sacrificial exodus to flee poverty in their own lands?
Running With Eyes On The Prize: US-based Liberian Track Athlete Embarks On A Race To Improve The Lives of Underprivileged Children In His Post-war Nation
By Moco McCaulay
During the turbulent years of the American Civil Rights Movement, when protesters took to the streets to demand an end to racial injustices against African Americans and they were bludgeoned with batons, knocked off their feet with high-pressure water hoses and tear-gassed, they persevered reassured by the words of the old Negro spiritual, Eyes on the Prize, that if they remained steadfast and kept their hands on the “freedom plow” they would surely overcome.
And, inasmuch as this song may have inspired a movement of people to keep on trudging on to overcome the adversities that marked their struggle to attain civil justice, when one looks at the life of Bill Rogers, it is like peering into a humanoid crystal ball to witness the personification of what it truly means to persevere and keep one’s eyes on the prize to transcend seemingly insurmountable personal challenges and realize one’s dreams.
Liberia War Crimes Advocacy Group Pays Homage To 5 American Nuns Killed In Liberia’s Civil War
By Lovetta G. Tugbeh, Interim Director, CJL
“They called themselves freedom fighters, but they killed innocent people; we pray for those liars.” These were the words of the late Roman Catholic Archbishop, Michael Kpakala Francis, expressing his remorse and antipathy surrounding the horrific killing of five catholic nuns at the evil hands of war criminals who maimed, raped, and murdered more than 250,000 innocent Liberians and foreign nationals during Liberia’s 14-year civil war.
Charles Taylor’s Crimes Have Come Home To Roost With A Resounding 50-yr Jail Smackdown…And Deservedly So
By Moco McCaulay
When US Civil Rights leader Martin Luther King Jr. said: “The arc of the moral universe is long but it bends toward justice,” he must have been referring to such a moment as the one that transpired in the Hague on September 26, 2013, when the Special Court for Sierra Leone upheld Charles Taylor’s war crimes conviction and 50-year jail sentence.
Taylor, a former president of Liberia, had appealed his April 26, 2012 conviction for “aiding and abetting” the commission of war crimes in Sierra Leone through his support for the Revolutionary United Front (RUF), an armed group which orchestrated “a campaign of terror against civilians as a primary modus operandi” including its sadistic practice of amputating the limps of civilians—even babies and children, harkening back to the barbarism of Medieval times.
A War Criminal Tried For The Wrong War? Liberia’s Charles Taylor Has Freedom In His Sight As He Awaits the Appeal Verdict of His War Crimes Conviction
By Moco McCaulay
September 26, 2013 portents to bear no greater consequence for another person as it probably does for Charles Taylor, the 65-year-old former president of Liberia, who will receive a judgment in his appeal against his conviction and 50-year jail sentence for war crimes by The Hague-based Special Court for Sierra Leone.
The question on everyone’s mind is: Does Taylor have any chance of winning his appeal and walking a free man?
If I were you, I wouldn’t answer with a resounding no and here’s why…
Last April, when Richard Lussick, the court’s presiding judge, delivered the verdict against Taylor, who was on trial for fueling Sierra Leone’s atrocious civil war, I was in Liberia working as a news editor for one of the country’s leading newspapers, and like everyone else, after a trial lasting over three years, I eagerly anticipated the ruling.
Press Freedom Under Threat In Liberia: Sign Petition Urging Gov’t To Free Jailed Liberian Publisher
"If the imprisonment of Rodney Sieh was meant to send a message, it has: That we can never take a free press for granted.” - Free Rodney Sieh petition.
Click link below to read more and sign petition:
Happy Independence Day To Africa’s Oldest Republic!!!
By Moco McCaulay
Today, July 26th, 2013 is Liberia’s 166 Independence Day celebration…
On this momentous day, in 1847, when Africans in America were still experiencing bondage under the dehumanizing yoke of slavery, where they were considered no more than chattel properties, Liberia was born as a nation to serve as a beacon of hope for people of African descent everywhere.
Founded by former slaves from America who had repatriated to the West Coast of Africa, it was surely not lost upon the founders of Liberia that an independent African nation would serve in no small way to affirm the humanity of peoples of African descent and at the same, send an unambiguous message that they had an inalienable right to determine their own destiny.
Rape As A Weapon Of War: Young Liberian Filmmaker Produces Gripping Movie About A Woman Gang-Raped During His Nation’s Brutal Civil War
By Moco McCaulay
Every so often, when we are bombarded with the chilling statistics of victims from various conflicts around the world splattered across the pages of numerous reports, we are jolted with empathy, especially when it deals with acts of gross human brutalities. But even then, it is almost always with a tinge of clinical pity for “those poor victims.”
And, once we close the pages of those reports, whatever pangs of empathy we may have felt quickly withers away as we turn our attention to the engrossing business of our daily lives while, in far too many instances, “those poor victims” are left all alone to endure the trauma of the tragedy they may have experienced.
This holds particularly true for many women who were raped during Liberia’s atrocious 14-year civil war. And that rape and other forms of sexual violence was endemic and practiced by fighters from all the warring factions is hardly a fact to belabor, but capturing an accurate statistical scale of the victims has proven problematic because many victims have not come forward for fear of being ostracized.
That notwithstanding, based on analysis of findings from a 2004 study conducted by the United Nations Development Program, Amnesty International estimated that 60-70% of all women were victims of sexual violence during Liberia’s civil war in which over 250,000 persons lost their lives. (See report here)
Creating A Paradigm Shift One Reel At A Time: Liberia’s First Female Movie Producer Aims To Rewrite the Script in A Male-dominated African Movie Scene
By Moco McCaulay
In a nation that boasts Africa’s first democratically-elected female president, it probably wouldn’t be such a stretch if one were to assume that women had already traversed the pinnacle of every profession, and that the Presidency was after all, that final prize that had eluded them until Ellen Johnson Sirleaf was elected President of Liberia in 2005.
But that apparently is not the case. At least, not in the fledgling Liberian movie landscape that is emerging as Liberians now try to make an imprint in the pulsating African movie kaleidoscope that is beaming across the continent and the world, after their country’s devastating 14-year civil war.
With Nollywood, as the Nigerian film industry is known, now the second largest film industry in the world in terms of number of films produced annually, filmmaking has evolved as a viable medium for Africans to tell their own stories and share them with the world.
Sadly, during Nollywood’s exponential growth in the 1990s, for the most part, the only portrayal of Liberia on film was consigned to mesmeric war documentaries and newsreels showing drugged up child soldiers with AK-47’s almost the length of their bodies, decaying bodies littered on the streets for dogs to feast on, and clips of rebel fighters boasting about their sadistic acts of cannibalism.
But the tragic story of the Liberian Civil War is most certainly not the only one that Liberians want to be known for enacting on film. Therefore, notwithstanding being left behind as Nigerian and other African filmmakers made headways in the film industry, up-and-coming Liberian film producers are determined to carve a place for themselves on Africa’s pulsating film stage.
Why Charles Taylor’s War Crimes Judgment Seems Like A Travesty Of Justice To Liberians
By Moco McCaulay
On April 26, 2012, the former leader of a small African nation and a feared ex-rebel leader who spread terror in his country and across West Africa—but seemed above-the-law—was finally cut to size by the swashbuckling sword of Lady Justice. It was a day that international news media heralded as: “the end of impunity!”
A fairy tale-like ending you could say, especially for the people of Sierra Leone, to the atrocious story of death and destruction that had plagued West Africa during the 1990s. And the concluding narrative of the verdict that was told to the world paralleled a Mosaic redemption: a people, long subjugated to the appalling brutalities of war, had finally found respite at the Oasis of Justice after a brutal trek through the Wilderness of Injustice.
Who could therefore be sacrilegious enough as to want to sour such a narrative?
Well, one man is trying to ruin that happy ending. And, if you were Charles Taylor, the former President of Liberia, who was found guilty on that day for “aiding and abetting” the commission of war crimes in Sierra Leone and later sentenced to 50 years in prison, you too would probably be doing everything within your power to ruin the fairy tale-like ending of this narrative.
So Taylor and his team of lawyers, headed by Morris Anyah, have appealed the verdict, calling it “a miscarriage of justice.” The appeal judges are now deliberating the case and are expected to make a decision whether to uphold the verdict or overturn it at some point before the year’s end.
‘Everybody Pot Boiling, My Pot Can’t Boil’: A Riveting Hip Co Commentary On the Unpalatable State of Poverty, Corruption, Impunity and Unemployment in Liberia
By Moco McCaulay
Authority stealing pass armed robbery
(Yes, yes, yes, yes)
We Africans we must do something about this nonsense
(Yes, yes, yes, yes)
We say, we must do something about this nonsense
(Yes, yes, yes, yes)
I repeat, we Africans, we must do something about this nonsense
(Yes, yes, yes, yes)
Because authority stealing pass armed robbery
So bellowed Fela Anikulapo-Kuti in Authority Stealing, a poignantly veracious song depicting corruption in Africa by a few self-important reprobates hiding under the guise of officialdom—while majority of the people wallow under the weight of crippling poverty—as a crime that is worse than armed robbery.
And, if you agree with Fela, don’t hesitate to shout: Yes, yes, yes!
Not only did Fela use his music to vilify such loutish rogues masquerading as African officials who had manifested themselves as leaders in Nigeria, but in 1979, he even sought to raise a political movement and run as a presidential candidate to usurp them from power. But, of course, Fela’s political quest to wrest power from those parasitic elites ruling his nation was stifled by their machinations.
Spearheading An African Rap Music Revolution: Mr. Smith Leads A Hip Co Assault To Shine A Global Spotlight On The Stark Realities Of Life For The African Masses
By Moco McCaulay
REVOLUTION is a word that has been bandied about by more than its fair share of malevolent interlopers so much so that nowadays, besides provoking a dismissive shrug of the eyebrows, it stirs nary an attention when it is mentioned.
And, in Africa especially, revolution has meant nothing more than the violent usurping of one corrupt regime for another without any improvement in the lives of the continent’s poverty-stricken masses.
That notwithstanding – and whether you’re ready or not – Rokenzy G. Smith is bent on inciting another African revolution!

But, before you be tempted to also give him an eyebrow shrug, his is a different kind of revolution. It is an African Music Revolution channeling the struggles and aspirations, and joys and pains of a generation of disenfranchised young Africans who have literally been caught between a rock and a hard place: war on the one hand and peace reeking with the vile stench of pervasively corrupt governments on the other.
‘Everyone Is Capable of Change’: A Former Child Soldier Believes There Is Hope For A Generation of War-Affected Liberian Youth
By Moco McCaulay
It was sometime in 2008, in New York City, at Lava Gina, a divvy international bar I used to frequent in Manhattan’s Lower East Side when I met Ishmael Beah, the New York Times bestselling author of A Long Way Gone: Memoirs of A Boy Soldier. Beah’s book about his years as a child soldier during Sierra Leone’s atrocious civil war had just been published and he was touring to promote it.
As I sat listening to Beah talk about his experiences as a child solider and how he had been given the chance and support to overcome the trauma of those turbulent years and turn his life around, I found it inspiring to see how far removed from his brutal past Beah had obviously come.
And, having almost being forcefully conscripted into a rebel army as a child soldier during Liberia’s civil war, but was only spared the fiendish deflowering of my childhood innocence by the unwavering intervention of my Aunt, I was extremely interested in Beah’s story. So I asked him a few questions and talked to him briefly after the event.
Beah came across as quite an intelligent young man and there was nothing about him that stood out as someone with the heinous past which he writes about in his riveting book.
But, if ever I harbored any lingering doubts about the possibility for complete transformation in the life of someone like Beah who’s childhood had been so grotesquely desecrated by the coarse brutalities of war, that all evaporated when I met Morlee Gugu Zawoo, Sr.
‘I Am A Walking Shooting Star’: Atlanta-based Liberian Hip Hop Artist Serves Notice to His War-torn Nation and the World
By Moco McCaulay
If the saying: “Luck is what happens when preparation meets opportunity” is one that always holds constant, then it may only be a matter of time before Dieze Ivan Sahn, a 20-year-old up and coming Liberian-born hip hop artist, strikes his luck in the hip hop game.
Because, according to Diezie who is based in Atlanta, Georgia, he’s been honing his musical skills since the age of 5, which would mean he’s spent quite a bit of time preparing to shine as a musician.
“As far back as I can remember music has always been a big part of my life. I remember singing in churches since I was the age of 5 until now. So, all my time being on this planet, I’ve been involved in music,” said Diezie, of his years of preparation to share his music with the world.
